Issue 1

A note of context.
The "Effects" of Censorship
PAUL AITKEN talks to James Oberhelm about the recent censorship of his work and investigates the Prevent strategy's influence on art education institutions.
Casual Equivalences
A reflection on object appropriation: DANNY PAGARANI reviews Steven Claydon's The Archipelago of Contented Peoples at The Common Guild. 
Anperforming the Practice of Labour
In August 2017, GIULIA COLLETTI curated I See Doors of Opportunity Where There Are No Doors, an exhibition of works by David Sherry. Here, Colletti writes about how the work, "taking its cue from the pamphlet, ‘Exhaustion et Exuberance’ by critic Jan Verwoert pivots on the pressure to perform in the knowledge economy, the contradictions defining success, and the disruptive effect of nonsense humour".
A choreographic text-score by STEPHANIE BLACK-DANIELS. EXTENSIONS has been performed at Rapid Pulse Festival, Chicago, CREATurE Live Art, Lithuania and Month of Performance Art, Berlin.
On View: Sean Patrick Campbell
MARTHA HORN responds to the photography of Sean Patrick Campbell.
Dear Nicole Smythe-Johnson
An open email from BECKY BROWN.
A Crisis of Subjectivity
ANDREA GARCIA-OCHOA LEE considers subjectivity in an apparently "post-truth" world in relation to the Rohingya Crisis.
Stories: Tiny Begonias & Nature Poem
Two short stories by CHLOË REID.
Diary: Reflections on Performance
COLM PEARE on the work of Tamara MacArthur.